![]() ![]() The Eyes of Hitchcock: A Mesmerizing Video Essay on the Expressive Power of Eyes in Hitchcock’s FilmsĪn Introduction to Jean-Luc Godard’s Innovative Filmmaking Through Five Video Essays ![]() How Doors Open onto Philosophical Mysteries in Robert Bresson’s Films: A Short Video Essay by KogonadaĪndrei Tarkovsky Reveals His Favorite Filmmakers: Bresson, Antonioni, Fellini, and Others The good: simplicity as end-product, recompense for years of effort.” Or, as he he writes elsewhere, “It is with something clean and precise that you will force the attention of inattentive eyes and ears.” A cinema that has forgotten these lessons of Bresson’s - now there’s a truly frightening proposition. In Notes sur le cinématographe he identifies two types: “The bad: simplicity as starting-point, sought too soon. Bresson’s work has many virtues, few as nameable as their simplicity, but for the man himself it always had to be just the right kind of simplicity. In Bresson’s world, to put it in drastically reduced terms, less is more: Julian Palmer’s short video essay above even takes that phrase as its title. ![]()
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